Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Mar 1, 2015

“Why do I read?

'‏‎“Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh 
and to be motivated.
I read to understand things I've never 
been exposed to.
I read when I'm crabby, when I've just 
said monumentally dumb things to the 
people I love.
I read for strength to help me when I 
feel broken, discouraged, and afraid.
I read when I'm angry at the whole 
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of 
skin and bones, of sights, feelings, 
and a deep need for chocolate, but I'm 
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song 
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.” 
― Gary Paulsen, Shelf Life: Stories by the Book

photo by Akbar Simonse‎‏'
 photo by Akbar Simonse ·

“Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.” 
― Gary Paulsen, Shelf Life: Stories by the Book




Aug 20, 2014

Poetry time !

We've become a
civilization of diseases
we build
monuments
statues
institutions
thinking death won't ever find
us here.

Our minds are scrambled
our bodies are damaged
our food is poisoned
our skies are toxic
our vices
are forces of processes
beyond our
control.

When we are not humbled
by nature's power
we inflict our wounds
upon ourselves in
the names of greed
and self protection
and no one knows
what it really means.

Fearful of the silence
we fill our skies with
endless noise
babbling on in endless
monotones, droning
while traffic stalls
at a hot stand still
idling engines
idling souls
depletion of every last glimpse
of the past.
Jam packed
in the stench
I am lost today
in
this vitriol
as anxiety, death and desperation
from every corner
screams my name.

That's why I came
to these woods
where the illusion of
peace remains
as
wild fires burn
just down the lane
as you know
as you say
its always been this way
when bodies hung
at every cross-roads
hunger, power, ignorance
and strength
all ran
the show.

I'm sick with
every disease I
know.

I float upon these tranquil
blue waters
and
we are reminded of the peace we all
really can know.


The burden of all
these lives
is bringing me down to
size
buried in the
sorrows of others
I must confide, my dear
My dreams are
filled with
dread of another day
But my work is never
done - the walking wounded
an endless line,
a samba line
dancing to a thousand
individual tunes
all of which
wind up echoing
in my mind as I listen
for those common themes
search for any magic words
I can bring back to
you, my dear
as you sit in that
four white walled
room
Speaking to a
random sound
and I with all
those questions
all that experience
all those answers
helpless in
my divide
the professional
the personal
both in total heartbreak, my dear
both only left with that
long lost loving sigh.


The dawn was no longer coming
The earth was no longer spinning
The horizon frozen.
We had moved into the deep chill
of our lives
The deep chill of our love.
Stone cold granite silence
Dancing around each other in
slow motion rotation
eyes like arrows
eyes like mirrors
words silent daggers
breath like icicles
held and panting,
volcanic eruptions seething
beneath the surface,
choreographed
hurt and rage
posing
feigning
covering up,
boiling blood
in
this frozen silence

civil, constrained, polite.

We turned around
walked away again,
alone
again,
with nothing changed
and
nothing said.


There’s a place up the avenue
Where lovers come to fail
Look at each other with dispute
And hate is all they feel.

When they check in they always say
“I tried so hard, where do I sign my name.”
They always complain about the investment they have made
Does the room, have a place to change?
The credit card’s declined
The Hotel never seems to mind
The key is in the shape of a broken arrow
right to the heart.
The desk clerk smirks
Gets your name exactly right,
Even though you’ve never met
until this night.

The concierge will give you directions to the local graveyards
The bell hop only dances and never says a word
When you give him a tip, he’ll only throw out your words
The elevator only goes down
The only music heard is the sound
Of a solitary heart beating in rhyme
Singing the song
“You will never be mine”.

The hall way corridor goes on forever backwards in time
The lonesome sounds of whales singing
Echoes through the halls, coming through the walls
And from beneath every door.

The rooms offer amenities
The devil dancing in the pain
On the head of a pin
The walls have one function
That’s to close on in.

The ribbon of blood
That seeps through the mirror
Dances in inkblots all the way
To the sink
Which drips tears of
Frustration
Resignation
Isolation
Recriminations.

The bathtub waters
Only run too hot
or
Too cold.

There is a bed of nails
Inviting ruminations
The images of her with him
Him with her
Strobes on the ceiling in endless loops
Of anguish’s fatal tunes.

Room service offers a variety of suicide utensils
The mini-bar contains a row of empty bottles
and a syringe without a needle.

The garbage men are always out side
Garbage cans crashing through the endless night sky
The windows open to brick walls
While couples in bliss dance cheek to cheek
In the bar across the street
Sometimes they look up at you and smile
That smile.

This nightly room has become a weekly
The weekly a monthly
And if you are not careful
Stay too long
Once you check in
The check out will always be closed
At the Hotel Heartbreak
Just down the road.


There's a full moon risin'
in a blackened sky
there's a full moon
sittin' huge
on the horizon sky.

There's someone standin'
on top of that hill
could it be I?
Hearin' music coming thru the trees
dancing
an old soft shoe
arms held high
silhouetted
by
that big full moon sky.

There's a shadow bein' cast
long thin and lean
stretchin' out creating darkness,
while illuminating light
all around
the shadow movin' ahead
a thin strip of darkness
and callin' it my life.

Illumination
darkness
a small pin light
flashin'
on
memories
possibilities
metaphors
allegories
waterfalls
in
all­ those
exquisite present moments
the poetry
our flash light lightenin'

And of course
there's a soul
could it be I?
Dancin' that old soft shoe
on top of that hill
a moment's delighting
in a full moon's night sky risin'...



Aug 18, 2014

Poetry time by John Stevens

I think that I shall never see
A leaf as lovely without a tree
When it falls upon the ground
So gently placed to be found.
A child gathers it in her hands
Carefully places it on the sands
Hoping to grow a brand new tree
For all the world new life to see.


The last four lines had many interruptions (5 year old). Changed direction at least three times. Could not remember where it was going. The child was driving this one. 
 
 

Aug 14, 2014

Poetry time Amber

weightless leaves,
harbingers of boreal winds,
how fleeting flow the days
and how long follow the nights

but i keep them close,
the lights that still smile
into my fragile nocturnes
and hold me in their arms.

they are
a song of river streams,
a melody of lemon fireflies     

where
the image of us
is mirrored
in the realm 
of infinite summer.

where
we are wild and free.


centuries
of dreamlike flowers
were gone

and returned
to where the sun
beautifies
your dawn

and i speak
by early shades
smiling to you
in blue dreams



the storm
is my soul

the shelter
is your heart


yet
i still find
light
to answer you
with stories
of ancient rays

so

you linger
and you fly
so close to me

along
a sacred wind

where i found
exile
away from time


i paint the dawn
in cinnamons and ginger reds,

a blizzard of purple flowers
across the quiet meadow
of birthing lights,

sparkling river mist
and the rustling
of emerald leaves,

birds singing
a joyous aubade
above the silver wine
of petaled dew.

i shape the sun like heart,
clouds like graceful swans
along the azure flow
of serenity

and if the valley outside
awakens to sorrow,
the day becomes 
a soft watercolored wind
sailing within the sweetness
of mysterious dreams.

 
she remains starless 
where aches fade and leave
but she lets them leave
to breathe again
and to live.

she speaks in languages
trees and seas understand
bowing to the sun
and shaping days into fairytales

saying
she needs an escape or may be
another alien summer.

or may be
an embrace

 
breathe the flame of your smile
upon her dreams that knew no home
and wounds that surrendered to no healer.

play a blue guitar song
until the stars dance in golden unison
to the tune of glory and wonder
basking in the glow of your heart.

see forever in her eyes
without words or memories
and sing tenderly
during hours of pale dawn
until her broken piano keys
play the melody of joy
and the sky delivers you
into her loving arms.

 
 

Aug 6, 2014

Poetry time

 

Thy Resting Place

Thy fleeting breath still lingers on my brain
And haunts this tired and troubled soul I own.
I still smell candle's scent as fresh as rain;
She lingers still on mem'ry halls that are on loan;
Sweet memories that are so bittersweet,
Without her presence life seems incomplete.

Thy time slowed, dripping as the candle's wax,
With painful steps and growing all too slow;
Thy sisters tended thee with burden's tax,
In knowing just how dim and weak thy health did grow.
E'en when the hour of thy parting drew nigh,
They gathered 'round thee to bid thee goodbye.

Thy form is missed and now thou take thy rest,
Beneath the rugged Oaks and Poplar's shade.
Now sleepest thou beside thy Mother's breast,
Each in their narrow, lowly cell forever laid;
Inside the small but private Churchyard lay
Their souls are God's whilst bodies become clay.

When walking through this humble resting place,
My mind drifts to the day that I shall cease
And then this humble spot my own bed trace;
'Til then my soul shall still continue to increase.
O God prepare a place in that bright land,
And when death claims me, take me by Thy hand!

Briar Thornit
I don't write to be better
than everyone else.
I write to become better
than my worst day.
I don't write to see you
smile or frown.
You can't stick your head
out of the computer
to show me anyway.
I write to remember that
I have emotion.
Its not my intention
to be liked at all.
Yeah I'd like to
be loved if its possible.
I write to find metaphors
and critiques that's real.
If you want to be better
than me go ahead.
I'd rather be crazy than
the one to be lead.
If you are passing my
poems framed on
the wall please remember;
I'd rather you
be better than me.
I don't write to be followed.
So don't feel like
you need to push my buttons.
I write for passion
to stalk my soul.
I don't expect to get
anything back from you.
I am obligated to get
everything back from me.
I'd rather you just forget
about me today.
I assure you I remembered
enough about me.



Paula Lee
Ashes to ashes and dust to dust
Call this assurance if you must;
But when it's time to say Farewell
To one you love, it's just plain hell.

There are no words, no healing balm,
To fill the void, to ease the calm;
And not a thing that one can say
Will drive the quick hot tears away.

We look upon the empty chair
And seek the one no longer there;
And so heartbreaking is the pain
We question if we'll meet again.

How grim indeed, if death should be
The Bitter End--- Eternity;
Just some vague dream conseived by Man
And not a part of any plan.

But God has taken such great care
To note the sparrow in the air;
His Love alone can cover all
And Mark a simple Sparrows' fall.

And if he cares for the birds that fly,
then he must hear My Anguished cry;
"Dear God, I yield my grief to Thee
For Thou alone can comfort me."
 
There is a beck that flows nearby,
Where Faeries dance with Elves and Gnomes;
In hollow logs and mushroom homes,
They sing and chant under the sky.

The Children in the Village near,
Seldom stop whilst on their way;
To School or during recess play,
Never see them, save for two dear.

Two sisters during Summer break,
Go down the beck and call them out;
Sometimes they have to stop and pout,
If not spotted, weep, goodness sake.

When they come they play a tune,
And dance about the mossy stones;
In sweet notes, in divers tones,
And brighten up the beck's sand dune.

Effortlessly the young girls play,
And promise never tell a soul;
But still keep the secret in whole,
Enjoy the Fae Folk all the day.

So only two have seen this sight,
And rejoice with their gleeful song;
Of all the Summers hot and long,
And Faery Dust of golden light.

Their songs always echo within,
And never cease to miss their play;
Down the beck on a Summer's day,
The two sisters join them and spin.

They float upwards into the sky,
On silken tiny wings they skit;
And whirl about as they do flit,
Enchanting sights as they pass by.

Ev'ning comes and the girls do leave,
The Faeries with their golden lamp;
They come up to the window clamp,
Kiss their cheeks and stay 'neath the eave.

O the Faeries at the beck old,
Dance and make two sisters so glad;
They are the best of friends one had,
They shall always the mem'ry hold!
 
in the meadows
not far from home
in the dusk and twilight
i heard the night-jars

in the clearing of
the neighbour's lane
the meadows there
were full of fireflies

i thought 'how beautiful'
as there were thousands
just like christmas tree lights
as far as i could see

it was an evening i will
cherish forever
to put it simply to you
it was so ethereal

 

Aug 4, 2014

10 Famous Poems Recited by Famous Actors

Recently, I stumbled across a video of Jake Gyllenhaal reading Wilfred Owen’s Dulce Et Decorum Est, a poem that is about how war is in no way glamorous.  He read the poem at a fundraiser to provide mental health services for soldiers suffering from PTSD. The event was called Words at War, and Gyllenhaal’s choice of words was more than fitting.
This got me to thinking about other actors who have leant their voices to poetry that is, sometimes, even more famous than they are. Here are a few of my favorites:
Bill Murray reads to Construction Workers at Poet’s House

Emma Thompson reads “Death Be Not Proud” by John Donne 
(As seen in the HBO adaptation of Margaret Edson’s play Wit). 

Anthony Hopkins reads “Do Not Go Gentle into That Good Night” by Dylan Thomas

Tom Hiddleston reads Sonnet 18 by William Shakespeare 

Patrick Stewart reads “To Autumn” by John Clare 

Glenn Close reads “I Like For You to be Still” by Pablo Neruda 

Bryan Cranston reads “Ozymandias” by Percy Bysshe Shelley

Sophie Okonedo reads “The Soldier” by Rupert Brooke 
And not a poem, exactly, but a relatively recent reading by an actor who can make the phone book sound good -

Benedict Cumberbatch reads a love letter.



About Cassandra Neace

Cassandra Neace is a freelance writer living in Houston, Texas, and a contributing editor for Book Riot. Follow her on Twitter: @CassandraNeace

If Heavy Metal Lyrics Were Book Blurbs,




As we’ve learned (maybe to the surprise of many), heavy metal and literature have a rather intimate relationship. To review: We’ve rocked out with a first installment of heavy metal lyrics as book blurbs. Then we mixed the world of heavy metal and books with some of Rioter Peter’s favorite epic metal/lit combos. And finally, we were surprised to discover a class at small Texas college focusing on literary heavy metal lyrics. ROCK!

And now, sleep with one eye open and grip your pillow tightly, ’cause we’re back with another edition of heavy metal lyrics as book blurbs!



Night Film, by Marisha Pessl


Have you ever been alone at night / Thought you heard footsteps behind / And turned around and no one’s there?

Watching horror films the night before / Debating witches and folklore / The unknown troubles on your mind

Fear of the dark, fear of the dark / I have a constant fear that something’s always near Fear of the dark, fear of the darkI have a phobia that someone’s always there.


The Goldfinch, by Donna Tartt


Is there no standard anymore? What it takes, who I am, where I’ve been, belong You can’t be something you’re not / Be yourself, by yourself / Stay away from me A lesson learned in life / Known from the dawn of time


The Fault In Our Stars, by John Green


Trust I seek and I find in you / Every day for us something new Open mind for a different view / And nothing else matters




Americanah, by Chimimanda Ngozi Adichie


Never badder than bad ’cause the brother is madder than mad At the fact that’s corrupt like a senator Soul on a roll, but you treat it like soap on a rope Cause the beats and the lines are so dope




The Martian, by Andy Weir


I flew beyond the sun before it was time Burning all the gold that held me inside my shell Waiting for you to pull me back in I almost had the world in my sight

Now I’m lost in oblivion




Inferno, by Dan Brown


This place is evil / Is there an answer? This world is vile / We are the answer

How long until we die? / Die from the inside out How much is enough for us to see the light? How much blood must be spilled?




Tampa, by Alissa Nutting


I can feel your fever, taking over / Can you see your fever, taking over me? I can feel your fever, taking over / Got a dirty feeling that you’re the remedy

********

Bust out your devil’s horns and prepare to shred! Normally, there isn’t too much overlap between books and ball-busting, face-melting metal, but if you’re a fan of both (like I am), today’s your lucky day! These lyrics-as-book blurbs will get you headbangin’ with the best of ‘em. (Song links are to Spotify, when available, should you have the urge to ROCK!)
Fifty Shades of Grey, by E.L. James
You’re making us….whooooaaaaaa….f$@cking HOSTILE!
Pantera, F$@cking Hostile
Or, if you prefer:
Drain you of your sanity / Face the thing that should not be
Metallica, The Thing That Should Not Be

The Last Werewolf, by Glen Duncan
Howling in shadows / Living in a lunar spell He finds his heaven / Spewing from the mouth of hell
Ozzy Osbourne, Bark at the Moon

Gone Girl, by Gillian Flynn
And you’ve broken the notion of trust / Cause you’re lying and denying
Justifying all the actions you take / It’s pathetic and poetic 

Caught in the web of your self-serving plan. Don’t force my hand when my eyes are wide open.
Staind, Eyes Wide Open

State of Wonder, by Ann Patchett
Welcome to the jungle it gets worse here every day Ya learn to live like an animal in the jungle where we play
Guns N’ Roses, Welcome to the Jungle

Confederacy of Dunces, by John Kennedy Toole
Don’t tell me how to do my job / There’s the door, your name’s on the knob You’re always in the way, like a beast on my back / Were you dropped as a baby, cause brains you lack
Anthrax, Caught In a Mosh

On The Roadby Jack Kerouac
And the road becomes my bride / I have stripped of all but pride So in her I do confide / And she keeps me satisfied
Metallica, Wherever I May Roam

The Time Traveler’s Wife, by Audrey Niffenegger
All the pain in this world won’t stop us now / For we have each other All the hate in this world can’t tear us apart / This love is forever
Trivium, This World Can’t Tear Us Apart

Lamb, by Christopher Moore
If I worship the ground that he walks on / And it winds up that he has two left feet Will he be walking on water? / ‘Cause, you should know, we never liked to get our feet wet
Fair To Midland, Musical Chairs

The Revised Fundamentals of Caregiving, by Jonathan Evison
I want you to lead me / Take me somewhere / Don’t want to live in a dream one more day
In Flames, Come Clarity

Fight Club, Chuck Palahniuk
Hello me, it’s me again / You can subdue, but never tame me It gives me a migraine headache / Thinking down to your level
Megadeth, Sweating Bullets

About Greg Zimmerman

Greg Zimmerman is a contributing editor for Book Riot. He blogs about contemporary literary fiction at The New Dork Review of Books and holds down a full-time gig as a trade magazine editor. Follow him on Twitter: @NewDorkReview.
********
Like mixing chocolate and peanut butter together to produce a delicious new combination (seriously, someone should market it), mixing the world of books with heavy metal also produces some fantastic combinations. It’s a strangely bookish field of music. Geezer Butler once said that Black Sabbath’s “Wizard” was about Gandalf. All of Ronnie James Dio’s career feels like a shelf of cheesy-but-wonderful high fantasy novels, with a side of Dungeons & Dragons. There are some more specific examples you might not have heard of, out of my own personal music library, and I thought I’d share them.

ALICE COOPER: The Last Temptation
Alice Cooper has had a gigantic career that has gone all over the map. The man who made Billion Dollar Babies is also the man who made DaDa is also the man who made Trash is also the man who made Brutal Planet. Not all of his albums are successful, but he’s so prodigious that it almost doesn’t matter. The next one will be along in a minute, and it’ll be totally different.
For The Last Temptation, which came out in 1994, Alice Cooper hooked up with Neil Gaiman, who hadn’t written many of his breathtaking and award-sweeping novels quite yet and was merely known for a small comic called Sandman (and if you have not read that, I’m going to report you). Quite how they built the album, I haven’t figured out in all my years of hardcore Alice Cooper fanship, but Neil Gaiman was thoroughly involved. Moreover, the album was released alongside The Last Temptation, a comic expounding on the album’s story, written by Neil Gaiman and illustrated by the astonishing Michael Zulli. And to further the literary connection here, Dave McKean, a god of an artist, did the album for the cover.
(The music video for Lost in America isn’t particularly literary and has zilch to do with the rest of the album…but it is a fun song, and I love the shots of a kid reading a Neil Gaiman comic. The kid looks like she’s never seen a comic book before and is overloading because of a book having words but also pictures how can this even be!)

IRON MAIDEN: Brave New World

There’s always been a lot of genre in Iron Maiden’s music. Whether we’re looking at the horror of Fear of the Dark, or the pure science fiction of their latest album The Final Frontier, you can kind of feel the reading of bassist-and-writer Steve Harris bleeding into each album. With Brave New World, their 2001 album (a return after a lot of years of doing very little), the literary roots are right there in the title. There’s not just the title song Brave New World, but further on in the album is an excellent song called Out of the Silent Planet, which is from a trilogy of science books by C.S. Lewis, perhaps lesser-known now than his more famous Chronicles of Narnia.
NIGHTWISH: Imaginaerum

It’s not possible to talk to me for five consecutive minutes without hearing me talk about Nightwish, and that is why I never get invited to any of the really good parties. They blend a range of elements together in a way that resonates perfectly with me. From the blending of male and female vocals, orchestras and choirs and heavy metal instruments, the power of the lyrics, I’ll spend ages and ages with the albums on repeat. I’ve written and published whole stories based off of their songs percolating in my brain for a long time.
Their latest album Imaginaerum doesn’t have overt songs I can point to that come specifically from certain books, as with the other albums on this list (although the last song on the album is called Song of Myself, which shares a name with a famous Walt Whitman poem, an oft-mentioned influence on the band). When they were working on the album, they described it as “a theme park, designed by Neil Gaiman, Tim Burton, and Salvidor Dali,” and indeed, the whole album feels very much like that. So does the Imaginaerum movie, which is coming out to accompany the album (the trailer for which, I have put above).
(This song isn’t from Imaginaerum, so I’m cheating a little. It is from the current tour, I really like what their new singer does with it, and it gives me goosebumps at the end. Look, this is my article, dammit…)

RHAPSODY: The Magic of the Wizard’s Dream

This song is so cheesy. Oh man, is it cheesy. I mean, the cheese starts in the title and goes on from there. But, look, it’s a heavy metal ballad song featuring guest vocals from Christopher Lee. And Christopher Lee played Saruman in The Lord of the Rings movies which were based on books which is definitely why I’ve put it on this list. I haven’t just done it because it’s wonderfully dorky and I want everyone to see it.
(I started out watching it to laugh at it. But I’ve come back to it so many times, I suppose I have to admit I like it, dorkiness and all. I’m not ashamed.)

There you have it. A small glimpse of heavy-metal with bookish leanings. I didn’t even scratch on all the bands who have pulled from The Lord of the Rings (and I mean besides a member of the cast). Remember, listening to any of these songs is equal to reading one whole book. Tell your teachers.

About Peter Damien

Peter Damien writes and publishes a lot of short stories and a lot of articles. He lives in the Seattle area with his wife and two boys, and his house is made almost completely out of books at this point. He nervously suspects he would be the first to go in a slasher movie. You can find him on twitter @PeterDamien.

Aug 2, 2014

Bones poetry time

Theres a hill
made of wind
swept heather
and rock
where the time
that it takes
when I climb
to its top
is the same
that these words
too often unsaid
take to climb
from the
deepening
shade in my head.

Life is wonderful

When I need reminding
I take a walk

I take a lot of walks. 

 

The thin old man
without a home
wrapped his skin
about his bones
then sat them down
on paving stones
and waited in the cold,
for the kindly
alchemist
who dropped some pennies
in his dish
and listened as
he made a wish
for memories of gold,
The alchemist
that very night
put the old mans
past to flight
and in its stead
a golden light
to warm the old mans soul,
Alas the glow of revery
is not enough
to melt the teeth
of winter, now
the old man sleeps
forever in a hole,
He hadn't known
the alchemist
could fashion gold
with magic tricks
if he'd guessed
he would have wished
for some that he could hold,
the sort that can be sold.

A shame he wasn't told.


Third attempt, sorry!
I promise there wont be a fourth. 
 
click-ety-clack
 don't
look
back
The beguiling lullaby of
a friday night
in motion
falters
with a stammer
rattling through
patterns of polished steel and
passes underground
subdued
within a
rumbling relic
of revolution
won by industry
dark
dripping and
stuffed with echo's
terminating
sleep.
I
straighten out,
slumbering Bigmouth
still mumbling declarations
thankfully now
to phantoms
in dreams,
shuffle past
stretching legs
back into recognisable
shape
rocking toward
a corridor
flooded with cold
noise pouring through
the open windows.
Tunnel walls swing
close and away again
inches from
my reach
caked with soot
and filthy
from the passing
years.
If I
bellow through this window
at that wall
my voice will
become another echo
in its history
If I
bellow through this window
at that wall
my voice will become
part of the
thumping heartbeat
keeping this train
of bedrooms
alive.
Late
last night
around ten minutes to
Staffordshire
Bigmouth
declared his love
for travel is borne
of desire
for new places
new people.
I explained that I
travel to leave
both behind.
'Even me ?' he
joked
'Even you' I
replied.
'You find pleasure in
arrival and
I in departure
don't
take it to heart'
but he
already had.
Swallowed and
regurgitated
pink dawn
summer morning serenity
we are tearing a scar in
the silence at
one hundred and ten
miles an hour
toxic perfume stains
my lungs
tears slide sideways
on my face
when it rains I will wear
dents in my skin
until monday
I am
fifteen years old
at this speed
I can
barely breathe
but freedom flies
me
like a bird
my bible is
a timetable
and the
next train to depart
is the only
answer
I
look for.

Childhood ramble
Happy days :o)
 
He
had
worked
hard
for
most
of
his
lifetime
at
being
the
odd
one
out
or
at
the
very
least
at
appearing
different
to
other
people
he
considered
with
disdain
to
be
normal
and
now
after
finally
mastering
the
look
other
'different'
people
wore
he
had
an
uneasy
feeling
that
he
had
simply
exchanged
one
uniform
for
another
and
doing
so
hadn't
required
a
presence
of
oddness
in
any
way
at
all.

 
 
Sixty thousand party faithful,
Stuttgart nineteen thirty eight,
watch eleven of their brethren
standard bearers of the state,
watch eleven right arms raised,
cheer the uniform salute,
love the fifty five fingers
bayonet straight and resolute.

Sixty thousand eager fascists
set to take the world by storm
watch eleven men from Aston
with instruction to conform,
greet eleven right arms raised
with a base triumphal roar
but of the expected fingers
thirty three less than before..


On May14th1938 England played Germany at football in the Olympic Stadium in Berlin, on the advice of the foreign office the England team performed a Nazi salute prior to kick off and the crowd of 110,000 roared their approval. The next day Aston Villa FC having been invited to take part in a short tour of Germany that summer played a select German and Austrian XI in the same stadium. They refused to give the salute and were booed from the pitch amidst crowd disturbances having won the game 3-2. The following game, also against a German and Austrian select XI was held in front of a sell out crowd of 60,000 in Stuttgart. Following strong representations from the German government the British Foreign Office insisted that this time the Villa players must pay tribute to their hosts in the form of a fascist salute. The players relented but as Villa inside-forward Eric Houghton recalled they would be doing it their own way. ''Both teams did the Nazis salute, after a fashion. We went to the centre of the field and gave them all the two fingered salute, and they cheered like mad.... they didn't know what it meant''.

A small moment in history, little known outside of Birmingham. Small moments like this make me smile and bring me hope. :o)
 
Something made me smile
as I passed the place today
where the beech nuts used to pile
and the squirrels used to play
and the workman with the frown
that is sawn into his face
came to take the old tree down
and leave a raw and empty place.

'Let her be a wooden tombstone,
she was getting out of hand'
declared a rubber stamped official
but he didn't understand
that all her strength was in her roots
and her roots were all still there
and today I smiled and watched
her raise two fingers in the air.

AKA Tree tells mankind to f**k off.

Jul 13, 2014

The Buried Life By Matthew Arnold


Matthew ArnoldLong before it inspired a basic-cable series dedicated to MTV douchebaggery, Matthew Arnold’s 1852 poem, “The Buried Life,” inspired generations to quiet introspection.Who has not, after all, sensed that there might be something more to life?
Something richer? Who has not felt bitter sadness at their inability to escape the immediate demands of life in order to pursue an unclear purpose and invisible meaning?
Like generations have before me, I too have found solace and desperate inspiration in its 98 lines, and I wanted to use this forum to experience it’s wisdom once again. After all, as the poem’s speaker suggests, “The same heart beats in every human breast.” (The Arnoldian Project)
2013-02-14 13.39.16
Light flows our war of mocking words, and yet,

Behold, with tears mine eyes are wet!

I feel a nameless sadness o'er me roll.

Yes, yes, we know that we can jest,

We know, we know that we can smile!

But there's a something in this breast,

To which thy light words bring no rest,

And thy gay smiles no anodyne.

Give me thy hand, and hush awhile,

And turn those limpid eyes on mine,

And let me read there, love! thy inmost soul.


Alas! is even love too weak

To unlock the heart, and let it speak?

Are even lovers powerless to reveal

To one another what indeed they feel?

I knew the mass of men conceal'd

Their thoughts, for fear that if reveal'd

They would by other men be met

With blank indifference, or with blame reproved;

I knew they lived and moved

Trick'd in disguises, alien to the rest

Of men, and alien to themselves—and yet

The same heart beats in every human breast!


But we, my love!—doth a like spell benumb

Our hearts, our voices?—must we too be dumb?


Ah! well for us, if even we,

Even for a moment, can get free

Our heart, and have our lips unchain'd;

For that which seals them hath been deep-ordain'd!


Fate, which foresaw

How frivolous a baby man would be—

By what distractions he would be possess'd,

How he would pour himself in every strife,

And well-nigh change his own identity—

That it might keep from his capricious play

His genuine self, and force him to obey

Even in his own despite his being's law,

Bade through the deep recesses of our breast

The unregarded river of our life

Pursue with indiscernible flow its way;

And that we should not see

The buried stream, and seem to be

Eddying at large in blind uncertainty,

Though driving on with it eternally.


But often, in the world's most crowded streets,

But often, in the din of strife,

There rises an unspeakable desire

After the knowledge of our buried life;

A thirst to spend our fire and restless force

In tracking out our true, original course;

A longing to inquire

Into the mystery of this heart which beats

So wild, so deep in us—to know

Whence our lives come and where they go.

And many a man in his own breast then delves,

But deep enough, alas! none ever mines.

And we have been on many thousand lines,

And we have shown, on each, spirit and power;

But hardly have we, for one little hour,

Been on our own line, have we been ourselves—

Hardly had skill to utter one of all

The nameless feelings that course through our breast,

But they course on for ever unexpress'd.

And long we try in vain to speak and act

Our hidden self, and what we say and do

Is eloquent, is well—but 't is not true!

And then we will no more be rack'd

With inward striving, and demand

Of all the thousand nothings of the hour

Their stupefying power;

Ah yes, and they benumb us at our call!

Yet still, from time to time, vague and forlorn,

From the soul's subterranean depth upborne

As from an infinitely distant land,

Come airs, and floating echoes, and convey

A melancholy into all our day.

Only—but this is rare—

When a belovèd hand is laid in ours,

When, jaded with the rush and glare

Of the interminable hours,

Our eyes can in another's eyes read clear,

When our world-deafen'd ear

Is by the tones of a loved voice caress'd—

A bolt is shot back somewhere in our breast,

And a lost pulse of feeling stirs again.

The eye sinks inward, and the heart lies plain,

And what we mean, we say, and what we would, we know.

A man becomes aware of his life's flow,

And hears its winding murmur; and he sees

The meadows where it glides, the sun, the breeze.


And there arrives a lull in the hot race

Wherein he doth for ever chase

That flying and elusive shadow, rest.

An air of coolness plays upon his face,

And an unwonted calm pervades his breast.

And then he thinks he knows

The hills where his life rose,
And the sea where it goes.
 ********
But often, in the world’s most crowded streets,
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life
What the speaker identifies is a human desire for meaning. Despite the claims of early Derrida and recent “advances” in science, human beings long for meaning, whether it is actually there or not. Some of us waste that desire seeking out a collection of consumable products or hedonistic frivolity to quench our thirst for meaning. Those things need not be the ends of our desires, however.
Self-absorption is not the only barrier to digging our our buried lives, however. Conversely, some expend their divine longings by assembling a life built on ostensibly good things like family, community, and religion. But these things as ends unto themselves are also inadequate. Indeed, the poem asks,
Alas, is even Love too weak
To unlock the heart, and let it speak?
So what are we to do? What is the point? The point is that there is a point. And too many people miss it.
Those who wish to confine our lives to the mathematics of particle accelerators and the pre-destination of chemistry will not agree with the transcendence this poem conceives of. But, “The Buried Life” suggests that there is something inside each of us, a “true self” that awaits discovery. The notion that the essence of our lives is arbitrary and constructed is an alien one to Arnold here. Yes, much of what we do with our time “in the world’s most crowded streets” is arbitrary and lived entirely in the “din of strife,” but this poem offers a bleak, distant hope that there is an objective beauty to be grasped and experienced. That there is a purpose each of us is born to.
Yet — and this is what can be debilitating — this quest can never be fulfilled and we are therefore Sisyphus, forever pushing that rock uphill. This is the act in which we must find our joy.
I think I must be drawn to this poem at this moment because I’ve seemingly found my calling, the life that was buried in my breast all along.
And yet.
What can explain the fact that these words resonate with me in a manner that destroys any comfort I might otherwise rest in?
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life;
A thirst to spend our fire and restless force
In tracking out our true, original course;
One general critique of Arnold’s liberal humanist project is that it closes down free inquiry. It’s deference to “the best that’s been thought and said” is usually cited as an unthinking dedication to tradition. I think that this is a reductionist interpretation, if not patently false. The speaker in this poem sees life as a never ending, beautifully tragic inquiry. There is no comfortable resting on laurels. The philosophical position this poem takes is, I think, consistent with Arnold’s body of poetry and criticism, and it refutes the naive simplicity imposed upon his reputation by the dogmatists of European philosophy. If anything, Arnold provides a tortured, restless window from which to experience the world. It does not allow for confidence or privilege. It requires eternal introspection, all the while knowing that there is no depth at which the answer will be revealed. The poem states this flatly:
Into the mystery of this heart which beats
So wild, so deep in us — to know
Whence our lives come and where they go.
And many a man in his own breast then delves,
But deep enough, alas! None ever mines.
The Blessed Assurance that Arnold is accused of peddling is certainly not evident in these lines. This is a philosophy instead more attuned to the Romanticism of Bruce Springsteen. The ‘Burns and The Boss each find the beauty and truth of life in the Darkness on the Edge of Town. My own attraction to this poem at this moment can probably be traced to my desire to maintain touch with that landscape and the inspiring uncertainties that reside within. Only they can provide a goal worthy of my own “fire and restless force,” spent endlessly trading in my wings on some wheels.
In fact, Springsteen’s “Thunder Road,” perfectly captures the spirit of Arnold’s poem.


This sounds rather terrifying and hopeless, I know. “The Buried Life,” however, like Springsteen’s song, also provides a flash of hope that makes the uncertain risks worth taking. Arnold writes:
Only — but this is rare —
When a beloved hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another’s eyes read clear,
When our world-deafen’d ear
Is by the tones of a loved voice caress’d—
Rare though it may be, I have experienced enough of this exhilaration to keep me energized for the endless journey. Like Mary in Springsteen’s great epic, my own Beloved’s hand has offered me the clear vision that reveals the Buried Life. The poem’s last three lines describe that experience:
And then he thinks he knows
The hills where his life rose,
And the sea where it goes.
The brief glimpses of “the point” of my life are what exhilarate me and make me eager for my own time spent in Springsteen’s Edge of Town. I have a beloved wife and family that give me this perspective, and I also have great art. All of us have this; it is our cultural inheritance and we need only claim it. Arnold’s poem, ending as it does with this promise of vision, offers “an air of coolness,” a reason to risk excavating the Buried Life. The poem itself is a “beloved hand” that is “laid in ours.” This is what Judy gave me when she passed her book down to me. This is why we shouldn’t be so bold as to laugh off the best that’s been thought and said.
 Arnold's grave

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