Not only was she a skilled (and published) cartoonist, but
Flannery O’Connor was obsessed with birds, and raised over 100 peacocks (in
addition to ducks, hens, geese and any other kind of bird she could get her hands on) at her family’s farm, her ancestral farm, Andalusia, in Georgia. Her peacocks popped up more than once in her work, including in this passage from her short story “The Displaced Person”:
“What a beauti-ful birrrrd!” the priest murmured.
“Another mouth to feed,” Mrs. McIntyre said, glancing in the peafowl’s direction.
“And when does he raise his splendid tail?” asked the priest.
“Just when it suits him,” she said. “There used to be twenty or thirty of those things on the place but I’ve let them die off. I don’t like to hear them scream in the middle of the night.”
“So beauti-ful,” the priest said. “A tail full of suns,” and he crept forward on tiptoe and looked down on the bird’s back where the polished gold and green design began. The peacock stood still as if he had just come down from some sun-drenched height to be a vision for them all….