Jan 24, 2014

George Orwell Explains in a Revealing 1944 Letter Why He’d Write 1984


ORWELL
Most of the twentieth century’s notable men of letters — i.e., writers of books, of essays, of reportage — seem also to have, literally, written a great deal of letters. Sometimes their correspondence reflects and shapes their “real” written work; sometimes it appears collected in book form itself. Both hold true in the case of George Orwell, a volume of whose letters, edited by Peter Davison, came out last year. In it we find this missive, also published in full at The Daily Beast, sent in 1944 to one Noel Willmett, who had asked “whether totalitarianism, leader-worship etc. are really on the up-grade” given “that they are not apparently growing in [England] and the USA”:
I must say I believe, or fear, that taking the world as a whole these things are on the increase. Hitler, no doubt, will soon disappear, but only at the expense of strengthening (a) Stalin, (b) the Anglo-American millionaires and (c) all sorts of petty fuhrers of the type of de Gaulle.
All the national movements everywhere, even those that originate in resistance to German domination, seem to take non-democratic forms, to group themselves round some superhuman fuhrer (Hitler, Stalin, Salazar, Franco, Gandhi, De Valera are all varying examples) and to adopt the theory that the end justifies the means.
Everywhere the world movement seems to be in the direction of centralised economies which can be made to ‘work’ in an economic sense but which are not democratically organized and which tend to establish a caste system. With this go the horrors of emotional nationalism and a tendency to disbelieve in the existence of objective truth because all the facts have to fit in with the words and prophecies of some infallible fuhrer. Already history has in a sense ceased to exist, ie. there is no such thing as a history of our own times which could be universally accepted, and the exact sciences are endangered as soon as military necessity ceases to keep people up to the mark.
Hitler can say that the Jews started the war, and if he survives that will become official history. He can’t say that two and two are five, because for the purposes of, say, ballistics they have to make four. But if the sort of world that I am afraid of arrives, a world of two or three great superstates which are unable to conquer one another, two and two could become five if the fuhrer wished it. That, so far as I can see, is the direction in which we are actually moving, though, of course, the process is reversible.
As to the comparative immunity of Britain and the USA. Whatever the pacifists etc. may say, we have not gone totalitarian yet and this is a very hopeful symptom. I believe very deeply, as I explained in my book The Lion and the Unicorn, in the English people and in their capacity to centralise their economy without destroying freedom in doing so.
But one must remember that Britain and the USA haven’t been really tried, they haven’t known defeat or severe suffering, and there are some bad symptoms to balance the good ones. To begin with there is the general indifference to the decay of democracy.
Do you realize, for instance, that no one in England under 26 now has a vote and that so far as one can see the great mass of people of that age don’t give a damn for this? Secondly there is the fact that the intellectuals are more totalitarian in outlook than the common people. On the whole the English intelligentsia have opposed Hitler, but only at the price of accepting Stalin. Most of them are perfectly ready for dictatorial methods, secret police, systematic falsification of history etc. so long as they feel that it is on ‘our’ side.
Indeed the statement that we haven’t a Fascist movement in England largely means that the young, at this moment, look for their fuhrer elsewhere. One can’t be sure that that won’t change, nor can one be sure that the common people won’t think ten years hence as the intellectuals do now. I hope they won’t, I even trust they won’t, but if so it will be at the cost of a struggle. If one simply proclaims that all is for the best and doesn’t point to the sinister symptoms, one is merely helping to bring totalitarianism nearer.
You also ask, if I think the world tendency is towards Fascism, why do I support the war. It is a choice of evils—I fancy nearly every war is that. I know enough of British imperialism not to like it, but I would support it against Nazism or Japanese imperialism, as the lesser evil. Similarly I would support the USSR against Germany because I think the USSR cannot altogether escape its past and retains enough of the original ideas of the Revolution to make it a more hopeful phenomenon than Nazi Germany. I think, and have thought ever since the war began, in 1936 or thereabouts, that our cause is the better, but we have to keep on making it the better, which involves constant criticism.
Yours sincerely,
Geo. Orwell
Three years later, Orwell would write 1984. Two years after that, it would see publication and go on to generations of attention as perhaps the most eloquent fictional statement against a world reduced to superstates, saturated with “emotional nationalism,” acquiescent to “dictatorial methods, secret police,” and the systematic falsification of history,” and shot through by the willingness to “disbelieve in the existence of objective truth because all the facts have to fit in with the words and prophecies of some infallible fuhrer.” Now that you feel like reading the novel again, or even for the first time, do browse our collection of 1984-related resources, which includes the eBook, the audio book, reviews, and even radio drama and comic book adaptations of Orwell’s work.
Related Content:
George Orwell’s 1984: Free eBook, Audio Book & Study Resources
The Only Known Footage of George Orwell (Circa 1921)
George Orwell and Douglas Adams Explain How to Make a Proper Cup of Tea
For 95 Minutes, the BBC Brings George Orwell to Life
George Orwell’s Five Greatest Essays (as Selected by Pulitzer-Prize Winning Columnist Michael Hiltzik)
Colin Marshall hosts and produces Notebook on Cities and Culture and writes essays on cities, Asia, film, literature, and aesthetics. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall or on his brand new Facebook page.

George Orwell’s Harrowing Race to Finish 1984 Before His Death


1984-opening-paragraph
A few weeks ago, we featured George Orwell’s 1944 letter revealing the ideas that would lead him to write his still widely read, and even more widely assigned, novel/anti-authoritarian statement 1984. The book would come out five years later, in 1949, suggesting that Orwell worked at a pretty good clip to turn out a book of such high stature.
Alas, he never lived to see it attain its current place in the culture, and barely even to see its publication. It turns out Orwell had to work faster than you may expect; beset by poor health in various manifestations, he had to finish off the novel’s manuscript, which he had then tentatively titled The Last Man in Europe, before his conditions finished him off. “I am not pleased with the book but I am not absolutely dissatisfied,” he wrote his agent of the rough draft. “I think it is a good idea but the execution would have been better if I had not written it under the influence of TB.”
1984-big-brother-is-watching-you-written
That typically gray but hardy Blairian observation (as in Eric Arthur Blair, Orwell’s given name, taking into account that “Orwellian” has, owing to 1984, a meaning of its own) comes from Robert McCrum, writing in The Guardian of the author’s struggle to complete the book by the end of 1948. “It was a desperate race against time.
Orwell’s health was deteriorating, the manuscript needed retyping, and the December deadline was looming.” Feeling beyond help, he “followed his ex-public schoolboy’s instincts: he would go it alone. [ ... ] Sustained by endless roll-ups, pots of coffee, strong tea and the warmth of his paraffin heater, with gales buffeting [his borrowed house on a remote Scottish island] night and day, he struggled on. By 30 November 1948 it was virtually done.”  
On June 8th, the book appeared in England’s bookstores, met by acclaim from Winston Churchill himself on down. Orwell died on January 21, 1950, 64 years ago this past Monday.
1984-winston-opens-diary
Above, we’ve included images of 1984‘s manuscript from GeorgeOrwellNovels.com (click on each for a larger version), and you can learn more about it at The Fiction Desk. Do consider giving a read — or, better yet, a re-read — to Orwell’s 1946 essay “Why I Write,” from which McCrum quotes to illuminate the writer’s drive to complete this harrowing final work: “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist or understand.”
Read more about this story at The Guardian.
via Reddit

Related Content: George Orwell Explains in a Revealing 1944 Letter Why He’d Write 1984
George Orwell’s 1984: Free eBook, Audio Book & Study Resources
The Only Known Footage of George Orwell (Circa 1921)
George Orwell’s Five Greatest Essays (as Selected by Pulitzer-Prize Winning Columnist Michael Hiltzik)
Colin Marshall hosts and produces Notebook on Cities and Culture and writes essays on cities, Asia, film, literature, and aesthetics. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall or on his brand new Facebook page.

100 Ideas That Changed Photography

by

From the camera obscura to the iPhone, or why photography is an art of continuous reinvention.

Earlier this year, British publisher Laurence King brought us 100 Ideas That Changed Graphic Design, 100 Ideas That Changed Film, and 100 Ideas That Changed Architecture. Now comes 100 Ideas That Changed Photography (public library) — an equally concise and intelligent chronicle of the most seminal developments in the history of today’s most prevalent visual art.
From technical innovations like the cyanotype (#12), the advent of color (#23), the Polaroid (#84), and moving pictures (#20) to paradigms like photojournalism (#66) and fabrication (#93) to new ways of looking at the world like aerial photography (#54), micro/macro (#55), and stopping time (#49), each of the ideas is accompanied by a short essay contextualizing its history and significance.
Syracuse University fine art professor Mary Warner Marien writes in the introduction:
Before it materialized as the camera and lens, photography was an idea. The desire to make a special kind of representation, originating in the object itself, is as old as humankind. It appears in the stencil paintings of hands in prehistoric art. In Western culture, the legend of the Corinthian woman who traced the shadow of her lover on a wall before he departed for war has evolved into an origin story for figurative art and, in the 1840s, for photography. Soon after the medium was disclosed to the world in 1839, the word ‘facsimile’ was adapted to describe the photograph’s unprecedented authenticity. Samuel F. B. Morse observed that a photograph could not be called a copy, but was a portion of nature itself. That notion, which persisted throughout the nineteenth century, found new life in the late twentieth-century language theory, in which the photograph was characterized as an imprint or transfer of the real, like a fingerprint.
Marien goes on to illuminate the history of photography alongside the parallel history of innovations in science and technology, as well as social and cultural developments across philosophy, politics, and aesthetics.
IDEA # 1: THE CAMERA OBSCURA
When Christian Gobrecht illustrated the workings of a camera obscura for Abraham Rees’s The Cyclopedia or Universal Dictionary of Arts, Sciences, and Literature (1805-22), he was careful to show how the device created an inverted image.
IDEA # 2: THE LATENT IMAGE
 
The latent image was coaxed from the daguerreotype plate by being exposed to mercury fumes in a so-called 'bath' like this one.
IDEA # 4: NEGATIVE/POSITIVE
The negative formed the basis of photography until the digital age. It is based on the reversal of dark and light tone.
IDEA # 9: THE LENS
Specially designed weights or impromptu inventions were attached to the shutter to create timed lens exposures.
IDEA # 12: CYANOTYPE
The cyanotype allowed builders and engineers to create durable and detailed drawings.
IDEA # 12: CYANOTYPE
Anna Atkins was one of the first scientists to use the cyanotype to record delicate specimens, as in Himanthalia lorea, from her 1843 book on algae.
IDEA # 13: COLLODION
Photographers who used the collodion process had to process their glass plates before and after exposure. They brought a portable darkroom and sometimes employed assistants to help.
IDEA # 27: CARTES DE VISITE
Disdéri’s multiple portraits of a ballet dancer is entitled Petipa (c. 1862), for the renowned French dance master and choreographer. Performers and public figures often had cartes de visite made in great numbers, which they either gave away or sold.
IDEA # 46: PROJECTION
In 1925, the French children’s magazine Le Petit Inventeur captured the wonder of projected images.
IDEA # 56: THE PEOPLE'S ART
For the cover of a 1929 issue of the German publication The Worker Photographer, Ernst Thormann chose a close-up of a Roma child.
IDEA # 56: THE PEOPLE'S ART
In this anonymous early Kodak snapshot from about 1888, the maker’s shadow is clearly visible on the lower left side.
IDEA # 77: THE SELF-PORTRAIT
In her 1896 Self-Portrait (as New Woman) successful Washington, D.C. photographer and business owner, Frances Benjamin Johnston, poses cross-legged, as a man might do, while holding a cigarette and a beer stein.

Ultimately, what emerges from 100 Ideas That Changed Photography, besides the fascinating historical perspective, is an underlying message that our present-day fears about the alleged affronts to photography are misplaced, oblivious to the perpetually evolving heart of the art of recording light. As Marien puts it:
While it may seem that a new photo technology is born every day, photography is still what we make it, not what it makes us.
Images and captions courtesy of Laurence King

We may one day be reading by the light of a houseplant

January 23, 2014 | by Lisa Winter
Photo credit: Bioglow


Tired of filling your house with boring old ficus plants and ferns for a little greenery?
You're in luck, because you could soon be able to bring home your own luminescent plant. No, it isn't the result of some kind of nuclear accident. The plants are engineered by the biotechnology company Bioglow and were first announced in 2010 when molecular biologist Alexander Krichevsky et al. published the results in PLOS One. Since that initial report, the team has been working to refine the technique and get the plants growing brighter.
Bioluminescence can be found in a variety of organisms, including certain jellyfish, bacteria, and insects. These creatures use their natural glow for many reasons, including scaring off predators or attracting prey. For modern scientists, bioluminescence is used a standard marker used in biological research, as it gives scientists a very clear confirmation that the genetic modification was successful. Now, plants that are genetically engineered to be bioluminescent will be available to the public as a novelty, though it could have future implications as a truly–ahem–green source of energy.
Glowing plants have been attempted for some time now, but required the use of special dyes or UV lights. Because the properties that made these glow were from an external source, these didn’t really work all that well and were not truly bioluminescent. Bioglow’s plants will be the first commercially available plants that have been altered to be autonomously luminescent (which Krichevsky describes as “autoluminescent”).
The glowing plants have been named Starlight AvatarTM. They are an engineered version of Nicotiana alata plants, which is an ornamental tobacco species. Don’t let that put you off; the plant smells like jasmine, not an old bowling alley. Its moniker comes from the fact that it glows about as bright as starlight. Depending on the individual, the light can be seen as soon as the lights go out, but it may also take a couple minutes for your eyes to adjust. 
The biggest drawback of the plant now is that they have a relatively short lifespan at only 2-3 months because it takes so much out of the plant to create the light. The lab continues to work on increasing the longevity of the plant as well as ramping up the brightness. It is the company’s hope that someday these plants could be used to provide a natural source of light inside the home and even possibly replace garden lights, saving money and energy.
Dying to get your hands on one of the first Starlight AvatarTM plants? Bioglow will be holding an auction for the first twenty plants. It doesn’t cost anything to sign up for the auction, but you do need to register on Bioglow’s website to get on the email list for the auction link. The auction is only open to those in the United States and bidding starts at just $1, plus shipping fees.
Note: The date of the auction hasn’t been released yet, but this article will be updated when Bioglow makes the announcement to those who have confirmed registration.


We may one day be reading by the light of a houseplant

January 23, 2014 | by Lisa Winter
Bioglow's Starlight Avatar(TM) as seen in regular light (left) and in darkness (right).
Photo credit: Bioglow
 12.5K  84  20 reddit6 googleplus43
Tired of filling your house with boring old ficus plants and ferns for a little greenery? You're in luck, because you could soon be able to bring home your own luminescent plant. No, it isn't the result of some kind of nuclear accident. The plants are engineered by the biotechnology company Bioglow and were first announced in 2010 when molecular biologist Alexander Krichevsky et al. published the results in PLOS One. Since that initial report, the team has been working to refine the technique and get the plants growing brighter.
Bioluminescence can be found in a variety of organisms, including certain jellyfish, bacteria, and insects. These creatures use their natural glow for many reasons, including scaring off predators or attracting prey. For modern scientists, bioluminescence is used a standard marker used in biological research, as it gives scientists a very clear confirmation that the genetic modification was successful. Now, plants that are genetically engineered to be bioluminescent will be available to the public as a novelty, though it could have future implications as a truly–ahem–green source of energy.
Glowing plants have been attempted for some time now, but required the use of special dyes or UV lights. Because the properties that made these glow were from an external source, these didn’t really work all that well and were not truly bioluminescent. Bioglow’s plants will be the first commercially available plants that have been altered to be autonomously luminescent (which Krichevsky describes as “autoluminescent”).
The glowing plants have been named Starlight AvatarTM. They are an engineered version of Nicotiana alata plants, which is an ornamental tobacco species. Don’t let that put you off; the plant smells like jasmine, not an old bowling alley. Its moniker comes from the fact that it glows about as bright as starlight. Depending on the individual, the light can be seen as soon as the lights go out, but it may also take a couple minutes for your eyes to adjust.
The biggest drawback of the plant now is that they have a relatively short lifespan at only 2-3 months because it takes so much out of the plant to create the light. The lab continues to work on increasing the longevity of the plant as well as ramping up the brightness. It is the company’s hope that someday these plants could be used to provide a natural source of light inside the home and even possibly replace garden lights, saving money and energy.
Dying to get your hands on one of the first Starlight AvatarTM plants? Bioglow will be holding an auction for the first twenty plants. It doesn’t cost anything to sign up for the auction, but you do need to register on Bioglow’s website to get on the email list for the auction link. The auction is only open to those in the United States and bidding starts at just $1, plus shipping fees.
Note: The date of the auction hasn’t been released yet, but this article will be updated when Bioglow makes the announcement to those who have confirmed registration.
- See more at: http://www.iflscience.com/plants-and-animals/we-may-one-day-be-reading-light-houseplant#sthash.FpMVLXQr.dpuf

We may one day be reading by the light of a houseplant

January 23, 2014 | by Lisa Winter
Bioglow's Starlight Avatar(TM) as seen in regular light (left) and in darkness (right).
Photo credit: Bioglow
 12.5K  84  20 reddit6 googleplus43
Tired of filling your house with boring old ficus plants and ferns for a little greenery? You're in luck, because you could soon be able to bring home your own luminescent plant. No, it isn't the result of some kind of nuclear accident. The plants are engineered by the biotechnology company Bioglow and were first announced in 2010 when molecular biologist Alexander Krichevsky et al. published the results in PLOS One. Since that initial report, the team has been working to refine the technique and get the plants growing brighter.
Bioluminescence can be found in a variety of organisms, including certain jellyfish, bacteria, and insects. These creatures use their natural glow for many reasons, including scaring off predators or attracting prey. For modern scientists, bioluminescence is used a standard marker used in biological research, as it gives scientists a very clear confirmation that the genetic modification was successful. Now, plants that are genetically engineered to be bioluminescent will be available to the public as a novelty, though it could have future implications as a truly–ahem–green source of energy.
Glowing plants have been attempted for some time now, but required the use of special dyes or UV lights. Because the properties that made these glow were from an external source, these didn’t really work all that well and were not truly bioluminescent. Bioglow’s plants will be the first commercially available plants that have been altered to be autonomously luminescent (which Krichevsky describes as “autoluminescent”).
The glowing plants have been named Starlight AvatarTM. They are an engineered version of Nicotiana alata plants, which is an ornamental tobacco species. Don’t let that put you off; the plant smells like jasmine, not an old bowling alley. Its moniker comes from the fact that it glows about as bright as starlight. Depending on the individual, the light can be seen as soon as the lights go out, but it may also take a couple minutes for your eyes to adjust.
The biggest drawback of the plant now is that they have a relatively short lifespan at only 2-3 months because it takes so much out of the plant to create the light. The lab continues to work on increasing the longevity of the plant as well as ramping up the brightness. It is the company’s hope that someday these plants could be used to provide a natural source of light inside the home and even possibly replace garden lights, saving money and energy.
Dying to get your hands on one of the first Starlight AvatarTM plants? Bioglow will be holding an auction for the first twenty plants. It doesn’t cost anything to sign up for the auction, but you do need to register on Bioglow’s website to get on the email list for the auction link. The auction is only open to those in the United States and bidding starts at just $1, plus shipping fees.
Note: The date of the auction hasn’t been released yet, but this article will be updated when Bioglow makes the announcement to those who have confirmed registration.
- See more at: http://www.iflscience.com/plants-and-animals/we-may-one-day-be-reading-light-houseplant#sthash.FpMVLXQr.dpuf

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