If the astronomy is causing you more confusion, here is the connection to Stonehenge. During the summer of 2013 I analyzed the spatial relationships of Neolithic monuments constructed within about 2 miles (3.3 km) of Stonehenge. In doing so it was found that scaled positions of the part of the night sky including the Northern Cross, Orion, Auriga, Taurus and Sirius plot such that long barrow Amesbury 42, the Heelstone at Stonehenge, the centre of Woodhenge, Coneybury Henge and the west end of the Greater Cursus match the map of stars. Plainly, the landscape of monuments constructed 1000 years before megaliths were placed at Stonehenge represents a map of the cosmic area where the spirit of each life comes from, and returns to.
But what of Stonehenge itself? There are four specific locations at Stonehenge each of which was the site of a megalith when the circles of stones were placed in about 2480 BC. The four stones are called the Station Stones. They formed the corners of a near-rectangular area surrounding the central portion of the monument. The Station Stones are numbered 91 through 94. Stone 91 is opposite of stone 92, and stone 92 is opposite of stone 94.
(Paul D. Burley copyright 2012)
Again, results of analysis conducted in 2013 shows that the Station Stone quadrilateral represents the portion of night sky between Aldebaran and Sirius. Stone 92 represents Aldebaran, and stone 94 represents Sirius. Where does Alnilam, centre star of Orion’s belt plot? At the centre of the monument. Emplacing Orion upon Earth at Stonehenge, the symbolism is clear. The monument represents the cosmos and Earth brought together to create life in spirit and body.
The surrounding landscape represents the source and place of return of the spirit. Just as the body upon death is returned to Earth, the spirit is released to return to the stars. The cycle of birth, life, death and re-birth continues without end, conforming to creation, destruction and re-creation of the universe itself.
In the end, what is peculiar about Stonehenge is not its architecture nor its purpose, but our inability until now to recognize what it represented for the people of Britain 4500 and more years ago. It is part of the cycle of life.
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Paul D. Burley is the author of ‘Stonehenge: As Above, So Below’, published March 2014 by New Generation Publishing, London.
Featured image: Stonehenge. Photo source: April Holloway
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